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The most extravagant monument ever built for love, it was constructed by Mughal emperor Shah Jahan as a memorial to his queen Mumtaz Mahal, made out of white marble took 22 years to complete (1630-1652 AD).
Jon Jos U.K
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  Itmad-Ud-Daulah's Tomb

Introduction:
Itmad-Ud-Daulah's Tomb is a Mughal mausoleum in the city of Agra in the Indian state of Uttar Pradesh . Often described as 'jewel box', sometimes called the Baby Taj , the tomb of Itmad-Ud-Daulah is often regarded as a "draft" of the Taj Mahal. The tomb of Itmad-ud-Daulah is as interesting as the life of the person for whom it was built. Mirza Ghiyas-ud-din or Ghiyas Beg (later known as Itmad-ud-Daulah) was a poor merchant and lived in Persia (modern-day Iran). Itmad-ud-Daulah was buried in a tomb that resembles a jewel box and set in a garden. This tranquil, small, garden located on the banks of the Yamuna was to inspire the construction of the Taj Mahal in the later years. It is the first tomb in India built entirely in white marble. The tomb is also justly famous for the glorious pietra dura (stone inlay) decoration depicting cypresses, wine glasses, and an amazing variety of geometrical arabesque. The jali screens set in arched recesses are splendid. Four small minarets rise at the four corners of the small tomb structure. The whole structure gives the impression of an enlarged precious object. Due to the profusion of intricate work done on marble and the beautiful marble screen-work, the tomb easily qualifies as a veritable forerunner of the famous Taj Mahal.

The pure white and elaborately carved tomb of Itmad-ud-Daulah conforms to the Islamic style of architecture. The use of arched entrances, octagonal shaped towers or minarets, use of exquisitely carved floral patterns, intricate marble-screen work and inlay work are all representative of the Islamic style. The absence of a dome and the presence of a closed kiosk on top of this building and the use of chhatris (small domed canopies, supported by pillars) atop the four towers (minarets) instead of proper domes are reflective of local influence. The walls are white marble from Rajasthan encrusted with semi-precious stone decorations - cornelian , jasper , lapis lazuli , onyx , and topaz in images of cypress trees and wine bottles, or more elaborate decorations like cut fruit or vases containing bouquets. Light to the interior passes through delicate jali screens of intricately carved white marble.

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